Location: Curitiba, Florianópolis, Brazil
Major: Performance
Principle instrument: Keyboard
CD: Manacá,
in collaboration with her husband, Gerson Kornin, and Hermeto Pascoal
Groups: Mari Leonel Trio, Mari Leonel Quartet
A resident of the State of Santa Catarina in Brazil, Mari Leonel
came to US School after studying piano at Asbury College, Kentucky, and returning
to Brazil to teach piano and perform classical and traditional Brazilian
music.
She wanted to improve her understanding of musical concepts and develop
her ability as an arranger and composer. She needed a school that would
be affordable and would help her develop musically while allowing her to
stay at home with a young family.
While Mari cites Miles Davis and Pat Metheny as influences, her own
music is a fusion of American jazz, Brazilian popular music, and
"my fascination with the inebriating rhythms created by the native
people in their spontaneous involvement with nature."
She performs with the Mari Leonel Trio and the Mari Leonel Quartet.
Her recent CD, "Manacá," is a collaboration with her husband,
Gerson Kornin, and Hermeto Pascoal, the reigning wizard of Brazilian
music considered by some to be the "the planet's greatest musician."
Some consider Hermeto Pascoal the world's
most innovative and gifted composer alive. Yet his recent 60th
birthday passed somewhat unnoticed in the US. Here's our little
contribution to repair this oversight:
About Hermeto Pascoal:
Bruce Gilman says: "Hermeto Pascoal is the reigning wizard of
Brazilian music who plays everything and anything. Piano, flute,
sax, live pigs, you name it. He's the only one who can write a
kick-ass samba in 3/4!"
His compositions have been recorded by Miles Davis, John McLaughlin,
Duke Pearson, Gil Evans, Airto Moreira, Sivuca, and many others.